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Man in red top amid bright lighting
Festivals

Journeyman – first look review

by David Jenkins

Pad­dy Considine’s sec­ond fea­ture as direc­tor is pow­ered by a clutch of big, bold and unabashed­ly emo­tion­al performances.
A young woman with long brown hair, facing the camera with a serious expression, standing against a bright blue background.
Festivals

Every female director at the 2017 BFI London Film Festival

by Little White Lies

Films made by women make up a quar­ter of this year’s bumper programme.
Ornate Hindu temple with domed roofs, intricate carvings, and grand staircases leading to the entrance, set against a cloudy sky.
Review

London Symphony

by David Jenkins

Film­mak­er Alex Bar­rett deliv­ers a gor­geous, poet­ic ode to this bustling and diverse city.

4
Anticipation
4
Enjoyment
3
In Retrospect
A man in a dark coat embracing a woman in a long white dress, both with a wistful expression, against a dimly lit, industrial background.
Review

The Limehouse Golem

by Anton Bitel

Direc­tor Juan Car­los Med­i­na takes us on a gris­ly tour through Vic­to­ri­an Lon­don in this ter­rif­ic goth­ic chiller.

4
Anticipation
4
Enjoyment
4
In Retrospect
Two men cycling on a cobblestone street, wearing casual blue shirts and shorts. One man is on a white bicycle, the other on a dark-coloured bicycle. A car is parked in the background.
Festivals

The 2017 BFI London Film Festival line-up has been announced

by Little White Lies

Luca Guadagnino’s Call My by Your Name and Guiller­mo del Toro’s The Shape of Water are among the high­lights of the 61st LFF.
Outdoor billboard with red background and text, "AND STILL NO ARRESTS?", man standing on road in blue jacket facing billboard.
Festivals

Three Billboards Outside Ebbing, Missouri to close the 2017 BFI London Film Festival

by Little White Lies

The lat­est from In Bruges writer/​director Mar­tin McDon­agh will cap off the 61st LFF.
Close-up of a man wearing a hat and coat, with a thoughtful expression on his face.
Review

Le Doulos (1962)

by David Jenkins

This dark, com­plex 1962 polici­er heads up a cel­e­bra­tion of French direc­tor Jean-Pierre Melville at London’s BFI Southbank.

4
Anticipation
4
Enjoyment
3
In Retrospect
Man in dark clothing holding a lantern, standing in a rugged, rocky landscape.
In Praise Of

How Death Line used cannibal horror to expose social inequality

by Thomas Hobbs

This 1972 British B‑movie is essen­tial view­ing in the wake of the recent Gren­fell tragedy.
Man in dark suit standing in room with woman in background, black and white image.
Review

Victim (1961)

by David Jenkins

A wel­come re-release of Basil Dearden’s chill­ing sur­vey of life as a gay man in Lon­don of the ear­ly ​’60s.

4
Anticipation
4
Enjoyment
4
In Retrospect
A young woman with long dark hair wearing a black top and black skirt, standing amongst others in an outdoor setting with mountains in the background.
Festivals

Imagined Futures shorts at Shubbak film festival 2017

by Matt Turner

London’s annu­al cel­e­bra­tion of Arab cul­ture once again offers a win­dow into an unseen world.