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Two men with dark features facing each other intently, set against a blurred rural background.
Queer Cinema

The labour of love-making in God’s Own Country

by Sophie Monks Kaufman

Explor­ing how direc­tor Fran­cis Lee con­structs the cen­tral rela­tion­ship in his pow­er­ful gay drama.
Two people, a man and a woman, wearing formal attire and standing in a lavish, ornate setting with a candelabra.
Review

The Beguiled

by Sophie Monks Kaufman

Sofia Coppola’s steamy South­ern pot­boil­er is her most arrest­ing and assured movie to date.

5
Anticipation
5
Enjoyment
5
In Retrospect
Monochrome image of a woman with curly hair singing into a microphone on stage, wearing a sleeveless sequinned dress.
Review

Whitney: Can I Be Me

by Sophie Monks Kaufman

Nick Broom­field explores the con­text behind the untime­ly death of soul-pop sen­sa­tion, Whit­ney Houston.

2
Anticipation
4
Enjoyment
3
In Retrospect
Pink and grey motel with palm trees and "Sofia Songs" sign in the sky.
Film Music

Listen to a compilation album of covers from Sofia Coppola films

by Sophie Monks Kaufman

‘Sofia Songs’ is released by Super Fan 99 Records to coin­cide with the release of The Beguiled.
Trailers

Watch the criminally good first trailer for Logan Lucky

by Sophie Monks Kaufman

Daniel Craig, Chan­ning Tatum and Adam Dri­ver team up for Stephen Soderbergh’s heist caper.
A bearded man with long hair against a dark background.
Festivals

You Were Never Really Here – first look review

by Sophie Monks Kaufman

Joaquin Phoenix bares his soul in Lynne Ramsay’s noir-tinged New York thriller.
Serious-faced man in period costume, standing next to a woman with ornate dress and styled hair.
Festivals

The Beguiled – first look review

by Sophie Monks Kaufman

Sofia Cop­po­la stuns the Cannes crowd with an intox­i­cat­ing film about repressed female sexuality.
Stylised portrait of a woman holding a vintage camera, framed by an ornate border.
Interviews

Sofia Coppola: ‘I’m telling the same story but from the women’s point of view’

by Sophie Monks Kaufman

The writer/​director tells us how she toyed with gen­der pol­i­tics and screen hunks for her new film, The Beguiled.
A man standing on a staircase in a dimly lit room, with large arched windows and a chandelier visible.
Festivals

The Killing of a Sacred Deer – first look review

by Sophie Monks Kaufman

A nasty case of dra­mat­ic iner­tia blights Yor­gos Lan­thi­mos’ lat­est black comedy.
Three people sitting at a table with bottles and glasses on a floral tablecloth.
Festivals

The Meyerowitz Stories – first look review

by Sophie Monks Kaufman

Adam San­dler deliv­ers one of his rare affect­ing turns as one of the co-leads in Noah Baumbach’s fam­i­ly comedy.