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A red and white fishing boat in the middle of the ocean, with a number of people on board and flags flying above.
Festivals

A new film uses re-enactment to tell the story of a bizarre social experiment

by Catherine Pearson

Mar­cus Lindeen’s doc­u­men­tary The Raft reunites the par­tic­i­pants of a rad­i­cal social study.
Exterior of a large stone building with arched windows and a person standing in front of it. Flowers and plants in the foreground.
Festivals

Happy New Year, Colin Burstead – first look review

by Hannah Strong

Ben Wheat­ley changes pace with this sur­pris­ing­ly whole­some fam­i­ly-based dra­ma star­ring Neil Maskell.
A male police officer in a dark uniform, with a badge on his chest, standing in a room with framed pictures on the wall.
Festivals

Thunder Road – first look review

by Hannah Strong

A small­town cop comes to terms with the death of his moth­er in Jim Cum­mings’ poignant study of grief.
Cropped, close-up image of a woman wearing black lingerie lying on a red-brown surface.
Festivals

The best short films at the 2018 BFI London Film Festival

by Michael Ewins

Our pick of this year’s shorts pro­gramme, fea­tur­ing rogue chick­ens and a shoegaze ode to Chan­tal Akerman.
Shadowy figure in dark coat walks down a city street past parked cars and older buildings.
On Location

On Location: The Dalston house at the heart of Mike Leigh’s Naked

by Adam Scovell

Despite the wide­spread gen­tri­fi­ca­tion of east Lon­don, this qui­et street appears much as it did in 1993.
Young woman with blond hair and blue bow, looking directly at camera with arms raised.
Festivals

Programmers Picks from the 2018 BFI London Film Festival

by Anton Bitel

Per­son­al rec­om­men­da­tions to seek out dur­ing the upcom­ing edi­tion of the UK’s biggest film event.
Four people wearing bowler hats, white shirts, and trousers walking together on a paved path.
On Location

On Location: The brutalist tower blocks of A Clockwork Orange

by Adam Scovell

Vis­it­ing the south­east Lon­don estate fea­tured in Stan­ley Kubrick’s 1971 film makes for a dystopi­an experience.
Close-up of a woman with dark, curly hair and a serious expression, in low lighting.
Festivals

20 Under-the-radar treats for the 2018 London Film Festival

by David Jenkins, Hannah Woodhead

Stumped on what to book for this year’s fes­ti­val? LWLies are on hand to help out.
Two people, a man and a woman, sitting on chairs outdoors in a grassy area with a blurred background.
Festivals

The 2018 BFI London Film Festival line-up has been announced

by Little White Lies

Big names, hid­den gems and art­house favourites head to the cap­i­tal this October.
Vintage stage scene featuring two adults, one in a dark coat and the other in a light dress with elaborate hair, against a dark curtain backdrop.

A Hitchcock classic screening in 3D

by David Jenkins

MUBI and LWLies present Hitchcock’s sub­lime chiller, Dial M for Mur­der, at London’s Rio Cinema.