The Extraordinary Miss Flower review – an… | Little White Lies

The Extra­or­di­nary Miss Flower review – an eccen­tric music doc

09 May 2025 / Released: 09 May 2025

A silhouetted figure against a glowing, neon-tinged night sky with swirls of green and blue lights.
A silhouetted figure against a glowing, neon-tinged night sky with swirls of green and blue lights.
4

Anticipation.

A veteran British film publicist puts on her producer’s cap.

3

Enjoyment.

An intriguing tale that’s a little overwhelmed by the music element.

3

In Retrospect.

A double lottery win for the Emilíana Torrini hardcore.

Unearthed love let­ters pro­vide cre­ative fuel for Ice­landic singer Emilíana Tor­ri­ni in this charm­ing, music-fuelled char­ac­ter study.

A slight con­flict of inter­est here, as the pro­duc­er of Iain Forsyth and Jane Pollard’s The Extra­or­di­nary Miss Flower is named Zoe Flower and she is a vet­er­an pub­li­cist with­in the world of film. We at LWLies have worked with her count­less times across the last two decades (Hi Zoe!), and as some of you will be aware, it’s hard to be objec­tive when it comes to art made by peo­ple you real­ly like.

And in this instance, it’s dou­bly hard, as the Miss Flower men­tioned in the title is not Zoe her­self, but her late moth­er, Geral­dine, whose entire per­sona was posthu­mous­ly altered upon the dis­cov­ery of var­i­ous love let­ters she received across her life. In a bid for some kind of clar­i­ty as to the per­son she real­ly was (aside from being a stel­lar moth­er and com­pan­ion), the film attempts to piece togeth­er and imag­ine what this woman’s life was real­ly like by read­ing between the lines of the florid prose mis­sives that were sent to her on a reg­u­lar basis and by a range of dif­fer­ent guys.

In the spir­it of these extro­vert scrib­blings, the film takes the form of a musi­cal cel­e­bra­tion, as the Ice­landic elec­tro chanteuse, Emilíana Tor­ri­ni, decides to co-opt these texts and put them to music as part of her new con­cept album. There are some flighty lit­tle skits posit­ing the­o­ries about the nature of Geraldine’s secret life, with a few famous friends roped in to intone the lovers’ hand-writ­ten proclamations.

Yet the major­i­ty of the film is tak­en up with per­for­mance footage of Tor­ri­ni and inter­views with her about her cre­ative meth­ods and how she feels a per­son­al bond with the allur­ing recip­i­ent of these let­ters. It’s a cre­ative and admirably earnest endeav­our, but one that will most cer­tain­ly live or die on your tol­er­ance for Torrini’s win­some warbling.

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