by David Jenkins
Another animated incarnation of Peyo’s beloved, blue Belgian beauties; unfortunately Chris Miller’s film absolutely sucks.
The industrious and passionate Greek filmmaker on her subtly apocalyptic new work, Harvest.
Jonás Trueba’s wry and articulate neo-screwball relationship comedy sees a couple organising a party for their impending break-up.
Rebecca Lenkiewicz adapts Deborah Levy’s best-selling novel, but the result is lacklustre.
There’s just too much that’s wrong and silly and derivative about this tired, tired run-out.
David Cronenberg’s melancholy exploration of how we retain our connection with the dead makes for one of his most beautiful love stories.
Danny Boyle kickstarts a new zombie trilogy with this genuinely anarchic exploration of isolationism with superb turns from Jodie Comer and Aaron Taylor Johnson.
A gang of small-town drug dealing gym rats are set upon by a murderous stranger in this satisfying Welsh genre piece.
John Maclean aims for Sergio Leone and Akira Kurosawa, but this 18th century samurai western leaves only a superficial impression.
Aylin Tezel writes, directs and stars alongside Chris Fulton in this meet-cute romantic drama set between London and the Isle of Skye.
The lure of the Scottish wilderness was too much to resist as Ben Rivers returns there for his latest feature.
The second instalment of Ethan Coen and Tricia Cooke’s lesbian genre film trilogy manages to just about snag a passing grade.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
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Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
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