Rachel Zegler and Tom Blyth head up this serviceable franchise prequel that divebombs into ignominy and obscurity during its protracted final act.
Todd Haynes' deliciously dark melodrama sees Julianne Moore and Natalie Portman go head-to-head as a housewife and the woman tasked with playing her in a film.
A woman has to stand trial after her husband dies in suspicious circumstances in Justine Triet's compelling courtroom drama.
A sentimental docu-portrait of a Chilean journalist, famed for his reporting on Pinochet's atrocities, whose own memory is leaving him.
A young woman's dream gig on television descends into chaos in Amanda Kramer's imaginative new melodrama.
By Mark Asch
Nicolas Cage plays an otherwise unremarkable college professor who unexpectedly finds himself appearing in peoples' dreams in Kristoffer Borgli's latest satire.
Two unpopular lesbians attempt to start a fight club at their high school in Emma Seligman's disappointing follow-up to Shiva Baby.
French documentarian Nicolas Philibert returns with a gentle, deeply moving chronicle of a floating hospital in Paris.
By Mark Asch
More cinema of ominous discomfort from Kitty Green as she takes us to an out-of-the-way Australian boozer for some low-boiling violence.
The barroom love-tester is God in this gentle sci-fi comedy with Riz Ahmed and Jessie Buckley as working stiffs at a scientific institute for love.
A group of teenage girls embark on a wild post-exam holiday in Molly Manning Walker's evocative feature debut.
Carol Morley constructs a creative tribute to the artist Audrey Amiss, who created thousands of artworks but remained mostly unknown until her death in 2013.
Michael Fassbender plays a contract killer suffering some professional setbacks in David Fincher's lean, mean new thriller.
This twisted tale of gender politics based on Kristen Roupenian's 2017 short story is a major letdown in conception and execution.
What appears as a fun robotic slasher lark turns out to be a deathly dull rip-off of various trauma-based horror yarns which fails to deliver in either the serious or silly stakes.
Hammer Horror returns with a genderflipped take on Robert Louis Stevenson's iconic novel, starring Eddie Izzard as a leading figure of the pharmaceutical industry with a dark secret.
Stephen Kijak speaks to Rock Hudson's friends and lovers to build a loving – but perhaps a little one-note – portrait of a Hollywood star.
By Leila Latif
Saoirse Ronan, Paul Mescal and Aaron Pierre star in Garth Davies' unnerving sci-fi drama, based on Iain Reid's novel about a couple's disturbed existence in an America ravaged by climate change.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
