by David Jenkins
Orson Welles is some kind of a man in this grisly, ultra-melancholic border-town noir from 1958.
Do Ghibli and Pixar have a new rival in Irish director Tomm Moore? This stunning film would suggest they do.
by Ian Mantgani
A spiky, combative and wry look at issues of race arising on an American Ivy League university campus.
LWLies intercepts a long and winding letter to one-time Ant-Man director Edgar Wright.
by Adam Woodward
Seth MacFarlane’s swear bear is back and more outrageous than ever in the year’s weakest comedy.
by Adam Lee Davies
Keva Rosenfeld’s highly personal high school reunion doc is a faded snapshot of a simpler time.
A passible Welles hagiography which offers very little that you won’t easily find in an Encyclopedia.
This Japanese teen love story from Naomi Kawase is mired in emo histrionics and limp drama.
by Sophie Monks Kaufman
Asif Kapadia’s intimate portrait of the late soul singer is too set on driving its own narrative agenda.
Channing Tatum leads a troupe of sensitive male strippers in this explosively sexy road trip movie.
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