by Adam Woodward
Arnold Schwarzenegger may be back, but this trilogy opener suggests the franchise is hardwired to self-destruct.
by David Jenkins
This Thatcher-era gangland classic returns to the screens via a newly restored print.
Michael Fassbender shows his true grit in this gratifying and extremely violent saunter through Old America.
A bawdy social comedy which says that it’s not the size that matters, but what you do with it that counts.
The moral minefield of Carol Reed’s The Third Man insures its place in the pantheon of greats.
More honest-to-goodness muckraking from one-man doc institution, Alex Gibney.
by Sophie Monks Kaufman
Adèle Haenel’s ingénue allure elevates Thomas Cailley’s sweet-natured survivalist romance.
Sir Ian McKellen is riveting in this moving and humane look at Sherlock Holmes in his twilight years.
Joshua Oppenheimer’s bloodcurdling and brilliant follow-up to his doc smash, The Act of Killing.
by David Ehrlich
Silly self-reflexivity dominates in Colin Trevorrow’s noble attempt to sell CG dinos to a jaded modern audience.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.