Non-Stop movie review (2014) | Little White Lies

Non-Stop

27 Feb 2014 / Released: 28 Feb 2014

Man embracing woman in warm hug, outdoor cityscape in background.
Man embracing woman in warm hug, outdoor cityscape in background.
3

Anticipation.

Non-Starter?

3

Enjoyment.

Don’t stop!

2

In Retrospect.

Stop. Eject.

More mile-high mis­ad­ven­tures as Liam Nee­son rolls out his machis­mo B‑movie thing on a packed pas­sen­ger jet.

Fol­low­ing in the vapour trails of clas­sic aero-thrillers Air Force One, Con Air and Air­port 77, Non-Stop is a fran­tic and for­mu­la­ic mile-high joyride. It may not boast Gary Old­man doing a Russ­ian accent, Nic Cage in a wife beat­er or Jack Lem­mon at the con­trols but, with king of the disyl­lab­ic action movie skies, Liam Nee­son, as its plucky hero, this is pure guilty plea­sure cinema.

Nee­son and direc­tor Jaume Col­let-Ser­ra have teamed up once before, on 2011’s iden­ti­ty-theft polit­i­cal thriller Unknown, which unsuc­cess­ful­ly pulled focus on glob­al food sup­ply cor­rup­tion. Here, the cat­a­lyst for cat­a­stro­phe is post‑9/​11 US home­land secu­ri­ty pol­i­cy, the rap for which is tak­en by boozy Air Mar­shal Bill Marks (Nee­son, type­cast as a less charismatic/​sympathetic copy of Den­zel Washington’s char­ac­ter from Flight).

On long-haul duty from New York to Lon­don, our plain­clothes plane cop is framed in-flight for a crime that hasn’t yet been com­mit­ted. Via a series of cryp­tic texts sent to him over a sup­pos­ed­ly secure net­work, Marks is suck­ered into an elab­o­rate plot involv­ing $150 mil­lion, a snuffed cap­tain and a tick­ing bomb, all of which place him as the prime sus­pect. With a cab­in crowd­ed with Red Her­rings and time run­ning out, Marks must draw upon all of his expe­ri­ence and cun­ning to worm out the wrong’un who’s threat­en­ing to bring this big bird down.

It’s implau­si­ble, over the top and suf­fers from a third act that splut­ters towards a pre­dictably lame end­ing, but for as long as Nee­son stag­gers up and down the aisles wav­ing his pis­tol in bemused pas­sen­gers’ faces, this is solid­ly enter­tain­ing stuff. It’s just a shame that he’s made to shoul­der the film’s myr­i­ad short­com­ings solo, so lack­lus­tre is the sup­port from Julianne Moore, Scoot McNairy and Downton’s Michelle Dock­ery, who along with 12 Years a Slave star Lupi­ta Nyong’o isn’t giv­en a great deal to do as an idle air stew­ardess. While it nev­er threat­ens to put the avi­a­tion action­er sub­genre on an excit­ing new path, how­ev­er, Non-Stop is unlike­ly to have you scram­bling for the near­est exit.

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