Insyriated | Little White Lies

Insyr­i­at­ed

07 Sep 2017 / Released: 08 Sep 2017

3

Anticipation.

A film about what it’s like living with war.

3

Enjoyment.

Suspenseful and often uncomfortable viewing.

4

In Retrospect.

A harrowing watch with an intense final scene.

This intense, alter­na­tive war movie cen­tres around a Syr­i­an fam­i­ly trapped in an apart­ment block.

Imag­ine you had no run­ning water, no elec­tric­i­ty, no food and your only access to the out­side world was guard­ed by a rooftop sniper. This is the unfor­tu­nate real­i­ty for most civil­ians cur­rent­ly sur­viv­ing in Syr­ia, and it’s an envi­ron­ment direc­tor Philippe Van Leeuw rep­re­sents in tremen­dous detail in his polit­i­cal­ly infused war dra­ma Insyr­i­at­ed. Set in a sin­gle apart­ment in Dam­as­cus over the course of a sin­gle day, it sees Hiam Abbass as Oum Yazan, a fierce moth­er fight­ing to ensure her fam­i­lies safety.

Focus­ing pri­mar­i­ly on two deter­mined women – Oum and Hal­i­ma (Dia­mand Bou Abboud) – Insyr­i­at­ed show­cas­es the courage of ordi­nary Syr­i­an peo­ple who live with the per­ils of war. It rep­re­sents the strength and deter­mi­na­tion of women in a coun­try dom­i­nat­ed social­ly and cul­tur­al­ly by male voic­es, which is a refresh­ing change to the usu­al mas­cu­line depic­tions of sol­diers at war. The only cen­tral male char­ac­ters in this film are an elder­ly gen­tle­man, a young boy and a con­fused, love-stuck teenag­er. None of whom are equipped to pro­tect a household.

It’s a haunt­ing por­trait of one family’s fight to sur­vive and it offers an authen­tic depic­tion of domes­tic life and the impact that ever encroach­ing bat­tle­ground can have on the psy­che. The film depicts the phys­i­cal and emo­tion­al tor­ments peo­ple have to go to just to make it through the day. The threat of death is always there, but the resident’s reac­tions to it have altered – it has now become a way of life.

The few rooms free from immi­nent threat pro­vide a wel­come relief from the night­mare sce­nario as the cam­era dash­es around the apart­ment. Yet in scenes of high dra­ma, Leeuw and cin­e­matog­ra­ph­er Vir­ginie Sur­dej trans­form a short cor­ri­dor, small rooms and a sin­gle bal­cony over­look­ing the car­nage into an intense­ly claus­tro­pho­bic loca­tion. Though there are some moments where the ten­sion begins to flag, the film quick­ly picks up the pace with the use of a lit­er­al­ly explo­sive sound­track and a par­tic­u­lar­ly fright­en­ing scene in which two very dan­ger­ous intrud­ers find their way into the home.

Threat lev­els are a lit­tle low until this point, but it reach­es its zenith in a final scene which sees the pro­tag­o­nists ven­ture out­side to save an injured par­ty. Feel­ing a lit­tle bit more like a doc­u­men­tary than a work of fic­tion, Insyr­i­at­ed is thought-pro­vok­ing, even though it nev­er feels that orig­i­nal. Still, a mem­o­rable, refor­mu­lat­ed kind of war movie.

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