The dark chasm between traditional religion and modern living is the subject of Daniel Kokotajlo’s harrowing debut feature.
Published 26 Jul 2018
A new feature from the scheme that’s given us The Levelling and Lady Macbeth.
Well crafted and noble in its intent, but perhaps would have worked better as a documentary.
Definitely watch out to see what Daniel Kokotajlo does next.
Hope Dickson Leach announces herself as the great white hope of British film with this quietly devastating debut.
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