As we wave goodbye to another year at the movies, we reflect on the films that have stayed with us – from the plastic fantastic to tense courtroom dramas.
Wes Anderson adapts a Roald Dahl short story with his signature attention to detail and visual panache.
Sophie Monks Kaufman continues her deep dive into the neurodivergent coding of Wes Anderson's cinema in this far-reaching long read.
Through conversations with psychologists, neurodivergent friends, Jason Schwartzman and the man himself, Sophie Monks Kaufman investigates the meticulous worlds of Wes Anderson and their potent emotional frequencies.
Wes Anderson adapts his second Roald Dahl story, this time into a rather delightful short with some beautifully rendered theatrical set pieces.
The long-time collaborator and star of Wes Anderson's Asteroid City speaks on their enduring friendship, Stanley Kubrick, and learning to talk without moving your mouth.
The four time Oscar-winner talks her formative connections with Stanley Kubrick and how she’s able to fulfil Wes Anderson’s unique aesthetic visions.
The maestro returns, the patented formula tweaked to blissful perfection in this witty and deeply moving exploration of the tools that we produce to help us see beyond our everyday vision.
The maestro behind Asteroid City leaves a voice note for LWLies, reflecting on naming conventions, sci-fi films, and working with his best friends.
We blast off to a space-obsessed town in 1955 for Wes Anderson's latest lavish adventure.
By Robyn Quick
Wes Anderson fans can tour original props and miniatures before catching a bite in a retro '50s-style diner.
Wes Anderson returns with one of his most dazzling, rich and playfully self-reflexive films to date, brought to eye-popping life by an all-timer ensemble.
The Competition selection also includes new works from Catherine Breillat and Todd Haynes.
Spanish desert doubles for the American Southwest in the new film set at a stargazers' convention.
Martin Scorsese, Wes Anderson, and Pedro Almodóvar number among the heavy hitters expected on the red carpet.
With a theatrical run scheduled for June, a premiere at Cannes seems all but assured.
A pop-up at One Hundred Shoreditch celebrates the world of Accidentally Wes Anderson with a very special hotel room and immersive exhibition.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
