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A man holding a microphone, with a serious expression on his face, set against a dark background with colourful lights.
Acting Up

The quiet intensity of Lee Kang Sheng’s gaze

by Terry Nguyen

Through his col­lab­o­ra­tions with Tsai Ming Liang and new work with Con­stance Tsang and Yeo Siew Hua, Lee Kang Sheng has cre­at­ed a remark­able body of work.
Smiling man wearing a black t-shirt with a camera graphic, next to a man sitting on a bed and smiling.
Interviews

Tsai Ming-Liang and Lee Kang-Sheng on a joint career in filmmaking

by Alicia Haddick

The Tai­wanese mas­ter film­mak­er and his muse dis­cuss their long-stand­ing artis­tic partnership.
Rainy city street at night, dimly lit with neon signs and a lone figure with an umbrella walking through the puddles.
Home Ents

Why now is the perfect time to watch Goodbye, Dragon Inn

by James Balmont

Tsai Ming-liang’s 2003 film, new­ly released on Blu-ray, is a poignant and pow­er­ful love let­ter to the cinema.
Image shows a young woman sitting on the floor wearing a white vest top and looking directly at the camera.
In Praise Of

Tsai Ming-liang’s The Hole is one of the great films about living in isolation

by Ruairi McCann

The director’s slow cin­e­ma musi­cal from 1998 sees a mys­te­ri­ous epi­dem­ic send Taipei into lockdown.
Two individuals seated on a bed in a dimly lit room, silhouetted against the light from an open doorway.
Festivals

Days – first look review

by Greg Wetherall

Tai­wanese mas­ter Tsai Ming-liang returns with a pro­found, med­i­ta­tive poem on the human need for connection.
Autumn trees, people on a wooden dock, cow walking across the dock in a lakeside setting.
Festivals

Kelly Reichardt and Sally Potter are heading to the 2020 Berlinale

by Sophie Monks Kaufman

They’ll be joined by Abel Fer­rara and Tsai Ming-liang when the fes­ti­val kicks off in February.
Dimly lit interior with a person reclining on a sofa, surrounded by furniture and lamps, creating a cosy, atmospheric scene.
Festivals

Virtual Arthouse: Tsai Ming-liang’s The Deserted at the Taiwan Film Festival

by Anton Bitel

An 8K pre­sen­ta­tion of the director’s VR project pro­vides a unique­ly immer­sive experience.