Tsai Ming-Liang

Tsai Ming-Liang and Lee Kang-Sheng on a joint career in filmmaking

By Alicia Haddick

The Taiwanese master filmmaker and his muse discuss their long-standing artistic partnership.

Why now is the perfect time to watch Goodbye, Dragon Inn

By James Balmont

Tsai Ming-liang’s 2003 film, newly released on Blu-ray, is a poignant and powerful love letter to the cinema.

The 100 Best Films of the 2000s: 25-1

By Little White Lies

A.I., American Psycho and Bamboozled all make the final part of our list – but what will come out on top?

Tsai Ming-liang’s The Hole is one of the great films about living in isolation

By Ruairi McCann

The director’s slow cinema musical from 1998 sees a mysterious epidemic send Taipei into lockdown.

The Top 50 Non-IP titles of the New Millenium: the individual ballots

By Little White Lies

Find out how Little White Lies contributors voted in our critical survey of recent non-IP cinema.

Days – first look review

By Greg Wetherall

Taiwanese master Tsai Ming-liang returns with a profound, meditative poem on the human need for connection.

Kelly Reichardt and Sally Potter are heading to the 2020 Berlinale

By Sophie Monks Kaufman

They’ll be joined by Abel Ferrara and Tsai Ming-liang when the festival kicks off in February.

Virtual Arthouse: Tsai Ming-liang’s The Deserted at the Taiwan Film Festival

By Anton Bitel

An 8K presentation of the director’s VR project provides a uniquely immersive experience.

The six best films from New Horizons International Film Festival 2016

By Matt Thrift

The Polish festival once again served up the best world cinema has to offer, including a contender for film of the year.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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