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Four people in cold weather gear gathered round a glowing fire in the dark.
In Praise Of

John Carpenter’s Apocalypse Trilogy and the end of faith

by Sam Moore

As The Thing turns 40, its place with­in Car­pen­ter’s explo­ration of spir­i­tu­al break­down has nev­er felt more prescient.
Bearded man with glowing red eyes, wearing dark clothing, in a dark, shadowy environment.
Home Ents

Discover the wild ride of this Hammer-esque ’70s Euro-horror

by Anton Bitel

Euge­nio Martín’s Hor­ror Express is like a loco­mo­tive mash-up of The Thing and Mur­der on the Ori­ent Express.
Bearded man in winter gear holding a tool, standing in a dark, snowy environment.
Home Ents

How John Carpenter’s The Thing became a horror/sci-fi classic

by Anton Bitel

The director’s new­ly-restored 1982 film con­tin­ues to stand the test of time.
Three men standing near a palm tree, woman lying in swimming pool in foreground, black and white image.
First Person

How to measure success in movies, with Lawrence Turman

by David Jenkins

The vet­er­an pro­duc­er behind The Grad­u­ate and The Thing dis­pens­es some sage advice.
The Thing: Infection at Outpost 31. A snowy, icy landscape with a military outpost in the distance, depicted with a dark, ominous style and bold typography.
Incoming

John Carpenter’s The Thing is being turned into a board game

by Amy Bowker

It’s the Antarc­tic alien thriller adap­ta­tion we didn’t know we needed.
Bearded man in winter gear holding a tool, standing in a dark, snowy environment.
Glasgow Film Festival

Ever wanted to see John Carpenter’s The Thing on a ski slope?

by Little White Lies

It’s now a pos­si­bil­i­ty thanks to the 2017 Glas­gow Film Festival.
A man wearing a dark coat with a fur-lined hood, holding a flashlight and looking serious.
Review

The Thing

by Ashley Clark

While the char­ac­ter­i­sa­tion is thin and deliv­ered in broad strokes, by the time hav­oc breaks loose it’s unlike­ly you’ll care too much.

3
Anticipation
4
Enjoyment
3
In Retrospect