The Batman

Why The Batman should win the Oscar for Best Cinematography

By Henry Bulmer

Taking inspiration from neo-noir, Matt Reeves and Greig Fraser created a brooding, impactful visual language for their take on the Caped Crusader.

In the age of anti-police sentiment, why do we still love detective stories so much?

By Katie Tobin

Despite increased distrust in policing, films about detective work have only become more popular, achieving both financial and critical acclaim.

Why is a billionaire in a bat costume considered more prestigious than an immortal bloodsucker?

By Billie Walker

Robert Pattinson’s breakout role in the Twilight franchise has more in common with Bruce Wayne than DC diehards may think.

Matt Reeves: ‘I didn’t know if Rob would want to come back to a blockbuster’

By Kambole Campbell

The man behind the return of Gotham’s favourite son reveals why Robert Pattinson was his first and only choice.

The Batman

By Adam Woodward

Robert Pattinson’s grunge prince vows to wash the scum off Gotham’s streets in Matt Reeves’ noirish detective thriller.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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