Flamin’ Hot – first-look review

By Weiting Liu

Eva Longoria dramatises the invention of America's beloved spicy snack food in her charming feature debut.

I Used to Be Funny – first-look review

By Weiting Liu

A young woman struggles to come to terms with her PTSD while the child she used to nanny goes missing in Ally Pankiw's directorial debut.

Problemista – first-look review

By Lex Briscuso

Los Espookys' Julio Torres makes the leap to film with a surreal, touching comedy about a Salvadoran immigrant, co-starring Tilda Swinton.

Midnight in Austin: four world premieres at SXSW 2023

By Anton Bitel

Murderous teens, strange growths and television-haunting ghosts are on the bill in SXSW's midnight movies slate.

Soft & Quiet – first-look review

By Erin Brady

Beth de Araújo takes viewers into a white supremacist nightmare in her terrifying yet staggering directorial debut.

Deadstream – first-look review

By Anton Bitel

Joseph and Vanessa Winter blend horror and comedy in this entertaining haunted house freak-out.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.