Sundance Film Festival

Censor – first-look review

By Hannah Strong

A film censor becomes obsessed with unlocking the secrets of her sister’s disappearance in this stylish horror throwback.

Human Factors – first-look review

By Brianna Zigler

An apparent break-in sends a middle-class family into a spiral in Ronny Trocker’s exacting drama.

Miranda July’s Kajillionaire follows a family of eccentric thieves

By Charles Bramesco

Evan Rachel Wood, Richard Jenkins, Debra Winger and Gina Rodriguez lead the cast.

Join an ill-fated scientific revolution with the first trailer for Spaceship Earth

By Charles Bramesco

The stranger-than-fiction documentary tracks the fate of Biosphere 2, a self-contained geodesic dome.

Never Rarely Sometimes Always – first look review

By Hannah Strong

Beach Rats director Eliza Hittman offers an unflinching look at the troubling reality of reproductive rights in the US.

Which movies sold big at this year’s Sundance Film Festival?

By Charles Bramesco

Records were broken as Amazon, Netflix and the major studios battled for a piece of the indie market.

The best new documentaries from the 2020 Sundance Film Festival

By Ed Gibbs

This year’s Sundance docs explored political and personal vendettas so brazen, you couldn’t make them up.

Possessor – first look review

By Hannah Strong

Brandon Cronenberg sets late-capitalism in his crosshairs in this effective – and very gory – social horror.

The Nest – first look review

By Hannah Strong

Jude Law and Carrie Coon shine in Martha Marcy May Marlene director Sean Durkin’s eerie psychological thriller.

The Last Thing He Wanted – first look review

By Hannah Strong

Dee Rees and Anne Hathaway tackle Joan Didion’s novel of the same name, with disastrous results.

Wendy – first look review

By Ege Apaydın

The director of Beasts of the Southern Wild returns with a novel if underwhelming take on the Peter Pan fable.

Minari – first look review

By Hannah Strong

Lee Isaac Chung’s beautifully observed drama follows a South Korean family who relocate to rural Arkansas.

Downhill – first look review

By Hannah Strong

Will Ferrell and Julia Louis-Dreyfus hit the slopes in this miserable remake of Ruben Östlund’s Force Majeure.

Dick Johnson Is Dead – first look review

By Brianna Zigler

Filmmaker Kirsten Johnson crafts a comedic elegy to her deteriorating but still very alive father.

Worth – first look review

By Ege Apaydın

Michael Keaton plays a lawyer tasked with putting a value on human life in Sara Colangelo’s post-9/11 drama.

Kajillionaire – first look review

By Hannah Strong

Miranda July’s charming, unconventional crime drama follows a family of lowly LA con artists.

Herself – first look review

By Hannah Strong

A mother rebuilds her life after escaping her abusive husband in Phyllida Lloyd’s urgent drama.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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