Truth and Movies

Sundance Film Festival

Are digital film festivals here to stay?

By David Jenkins

Following successful editions of Sundance and Rotterdam in 2021, the future for these events looks virtual.

How documentary cinema is reframing the Civil Rights era

By Nick Joyner

At this year’s Sundance Film Festival, three films broadened our understanding of the fight against racial discrimination.

This year’s Sundance showcased a different kind of high school movie

By Thomas Flew

A trio of documentaries revealed different aspects of the American education system.

Prisoners of the Ghostland – first-look review

By Hannah Woodhead

Nicolas Cage and director Sion Sono team up for a rollicking post-apocalyptic battle royale.

Jockey – first-look review

By Emily Maskell

This poignant character study from writer/director Clint Bentley is centred in the world of professional horse racing.

We’re All Going to the World’s Fair – first-look review

By Hannah Woodhead

Jane Schoenbrun’s unnerving debut, about an internet role-play phenomenon, nails the online adolescence experience.

Pleasure – first-look review

By Emily Maskell

Ninja Thyberg’s debut feature delivers an intimate perspective on the adult entertainment industry.

All Light, Everywhere – first look review

By Hannah Woodhead

Rat Film director Theo Anthony delves deep into the myriad ethical quandaries concerning mass surveillance.

Misha and the Wolves – first-look review

By Hannah Woodhead

The truth proves far stranger than the fiction in this constantly surprising Holocaust chronicle.

In the Earth – first-look review

By Hannah Woodhead

Ben Wheatley’s pandemic-themed psychedelic fever dream is the love child of Kill List and A Field in England.

Passing – first-look review

By Leila Latif

Ruth Negga and Tessa Thompson star in this slow-paced but perceptive race drama from Rebecca Hall.

The Sparks Brothers – first-look review

By Ed Gibbs

Edgar Wright delivers a deliciously infectious, suitably absurdist ode to his unsung musical heroes.

Superior – first-look review

By Brianna Zigler

Familiar thematic elements come together in Erin Vassilopoulos’ riff on the doppelgänger genre.

How It Ends – first-look review

By Caitlin Quinlan

There’s shades of Miranda July in Zoe Lister-Jones and Daryl Wein’s deadpan end-of-the-world comedy.

Cryptozoo – first-look review

By Emily Maskell

Dash Shaw’s entrancing animated fable imagines a utopia filled with a dazzling array of mythic creatures.

Censor – first-look review

By Hannah Woodhead

A film censor becomes obsessed with unlocking the secrets of her sister’s disappearance in this stylish horror throwback.

Human Factors – first-look review

By Brianna Zigler

An apparent break-in sends a middle-class family into a spiral in Ronny Trocker’s exacting drama.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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