38 results found
by Adam Marshall
On a visit to the Edo-period town of Tomonoura, Adam Marshall explores the real – and imagined – backdrop to one of Hayao Miyazaki’s most beloved films.
by Katie Goh
Studio Ghibli alums Masashi Ando and Masayuki Miyaji channels Princess Mononoke in their visually striking “medical fantasy”.
by Kambole Campbell
Pixar’s fish-out-of-water fable on the Italian Riviera takes its cues from vivid imagination of Studio Ghibli.
by Lillian Crawford
Studio Ghibli’s first computer-animated feature boasts bags of charm and one its most endearing heroines.
by Alex Dudok de Wit
Read an exclusive extract from the new BFI Classics book on Isao Takahata’s seminal 1988 animé.
by James Balmont
This spellbinding and spiritual Latvian animation has parallels with Studio Ghibli’s The Red Turtle.
by Alistair Ryder
A copyright dispute around 1984’s ‘Sherlock Hound’ freed the Japanese animator to establish Studio Ghibli.
The first and only film from Miyazaki protégé Yoshifumi Kondo stands among the studio’s best works.
Isao Takahata’s unrealised passion project was intended as a follow-up to Grave of the Fireflies.
by Charles Bramesco
Aya and the Witch tells the story of the smartest girl in the world and her hex-casting companion.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.