By Alexandria Slater
By dredging up harmful stereotypes from the past, the film undermines its post-#MeToo feminist narrative.
By Justine Smith
The sleaze king of Hollywood cinema paved the way for a generation of filmmakers, evading post-Code censors with his “nudie-cuties”.
In Praise Of
By David Jenkins
Anna Biller’s The Love Witch offers a playful take on a genre dominated by male perspectives.
Melbourne Film Festival
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.