Truth and Movies

Sam Neill

How Gillian Armstrong feminised Australian Cinema

By Laura Venning

In 1979, the first Australian film directed by a woman since the silent era signalled a new dawn for female authorship.

The Piano (1993)

By Hannah Woodhead

Jane Campion’s achingly beautiful Palme d’Or-winning masterpiece receives a rerelease to celebrate its 25th anniversary.

review LWLies Recommends

Tommy’s Honour

By Courteney Tan

A featherlight look at one of the pioneers of golf in this quaint, undemanding sport-themed biography.

review

Could you design a Hunt for the Wilderpeople wanted poster?

By Little White Lies

Kick off 2017 by getting your artistic juices flowing with our latest creative brief.

Taika Waititi: ‘I often fantasise about stopping making films’

By Poppy Doran

The Kiwi writer/director talks poking fun at his homeland and why he won’t be making movies forever.

Little White Lies Logo

About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

Editorial

Design