Monte Hellman’s cult road movie remains the perfect encapsulation of ’60s ennui and life on America’s margins.
By Taryn McCabe
Fifty years ago, The Shooting and Ride in the Whirlwind kicked off the ultimate counter-cultural genre.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
