Michael Winterbottom

How 24 Hour Party People put an anarchic spin on the music biopic

By Callie Petch

Michael Winterbottom’s portrait of the Madchester scene is enduring proof that films about musicians don’t have to beatify their subjects.

The 100 Best Films of the 2000s: 100-76

By Little White Lies

Part one of our bumper survey of the noughties, featuring Avatar, Borat! and Requiem for a Dream.

Greed

By Charles Bramesco

Fake tan and righteous fury abound in Michael Winterbottom’s satire of a mega-rich entrepreneur.

review

The devil’s in the retail in the trailer for Michael Winterbottom’s Greed

By Charles Bramesco

Steve Coogan headlines this satire about a ruthless fast-fashion mogul.

Greed – first look review

By Charles Bramesco

Steve Coogan plays an odious fast fashion magnate in Michael Winterbottom's latest comedy.

63rd BFI London Film Festival line-up brings female directors to the fore

By David Jenkins

Céline Sciamma, Marielle Heller and Athina Rachel Tsangari are all heading to the capital this October.

High Life, If Beale Street Could Talk confirmed for 2018 Toronto Film Festival

By Hannah Strong

Claire Denis and Barry Jenkins will present their latest work when the festival kicks off on 6 September.

On the Road

By David Jenkins

Michael Winterbottom attempts to engineer a new kind of concert movie. The results are pure tedium.

review

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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