Michael Winner

Why Death Wish’s pro-gun politics are just as complex as ever

By Justine Smith

The film’s glamorisation of vigilante justice resonated with an increasingly paranoid audience in 1974.

The scandalous folly of Michael Winner’s The Wicked Lady

By David Hayles

There’s much more to the cult director’s rustic softcore romp than meets the eye...

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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