By Thomas Hobbs
Max Richter’s eight-hour concept album is brought to life via Natalie Johns’s immersive concert film.
The British composer discusses how Stanley Kubrick’s use of classical music enhances his 1968 sci-fi epic.
Know the Score
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.