By Thomas Hobbs
Max Richter’s eight-hour concept album is brought to life via Natalie Johns’s immersive concert film.
By Thomas Hobbs
The British composer discusses how Stanley Kubrick’s use of classical music enhances his 1968 sci-fi epic.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
