Martin Scorsese

The Irishman

By Adam Woodward

A de-aged Robert De Niro takes centre stage in Martin Scorsese’s muscular, melancholy mob drama.

review LWLies Recommends

Who still needs to weigh in on the Marvel vs Auteurs debate?

By Charles Bramesco

The discourse will not be satisfied until Terrence Malick descends from his mountaintop stronghold.

Is this the clearest insight into Martin Scorsese’s moral perspective?

By Jake Cole

Released in 1999, Bringing Out the Dead is a clear response to the perceived ambiguity of Taxi Driver.

Netflix will bring The Irishman to Broadway (kind of)

By Charles Bramesco

The streaming disruptor’s latest gambit challenges what a movie theater really is.

The best examples of directors grilling directors

By Charles Bramesco

Conversations between masters of the medium yield rare insights into their creative process.

Martin Scorsese’s The Irishman to close the 63rd BFI London Film Festival

By Adam Woodward

The director’s upcoming crime drama is set for its international premiere on 13 October.

Martin Scorsese’s The Irishman to open the 57th New York Film Festival

By Adam Woodward

The legendary director’s long-gestating mob epic will finally be unveiled 27 September.

Watch: A side-by-side analysis of Infernal Affairs and The Departed

By Leigh Singer

In the latest Remake/Remodel, Leigh Singer interrogates Martin Scorsese’s remake of a Hong Kong crime classic.

Scorsese and DiCaprio to reunite on Killers of the Flower Moon

By Charles Bramesco

The pair are teaming up for a murder mystery set in 1920s Oklahoma.

Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese

By David Jenkins

On the road with Bob Dylan’s ramshackle rock circus in this kaleidoscopic concert chronicle.

review

Watch the trailer for Martin Scorsese’s new Bob Dylan documentary

By Charles Bramesco

Rolling Thunder Revue: A Bob Dylan Story is set for release on Netflix on 12 June.

60 films to look forward to in 2019 – part 1

By Rory Marsh

The ninth film by Quentin Tarantino and a Leos Carax musical are among our hot tips for the year ahead.

The future of cinema, according to Martin Scorsese

By Hannah Strong

At a recent masterclass in Marrakech, the legendary American director expressed concerns over where the industry is heading.

Howard Shore tells the story behind his favourite film scores

By Adam Woodward

The legendary composer discusses his work on Peter Jackson’s Lord of the Rings trilogy and more.

Travis looks in the mirror

By Brian Brems

What does it mean to be an American who loves Martin Scorsese’s Taxi Driver but hates gun violence?

Why I love Nicolas Cage’s performance in Bringing Out the Dead

By Josh Slater-Williams

The actor is at his intense and emotional best in Martin Scorsese’s underrated late ’90s thriller.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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