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Group of people gathered around antique camera equipment in dark room
Review

Made In England: The Films Of Powell & Pressburger review – a delicious whirlwind tour

by David Jenkins

A rous­ing per­son­al jour­ney with Mar­tin Scors­ese through the films made under the icon­ic ban­ner of The Archers.

4
Anticipation
4
Enjoyment
4
In Retrospect
Two people, a man and a woman, looking intently at each other in a moody, dimly lit setting.
Interviews

Griffin Dunne: ‘Scorsese’s energy and enthusiasm was infectious’

by Leigh Singer

The star of Mar­tin Scors­ese’s down and dirty 1985 runaround reflects on the strange jour­ney of get­ting After Hours made and how Spiel­berg and De Pal­ma influ­enced the film’s ending.
Elderly man and woman seated in church pew, conversing.
Interviews

Martin Scorsese: ‘What is it about us as human beings that allows for us to be so compartmentalised?’

by Christina Newland

Speak­ing at the glob­al press con­fer­ence for Killers of the Flower Moon, Mar­tin Scors­ese pro­vides insights into his research process and use of music, as well as dis­cov­er­ing Lily Glad­stone via Kel­ly Reichardt’s Cer­tain Women.
Composite image of 5 people, with red and blue colouring over their faces.

A brief history of America according to Martin Scorsese

by Paul Risker

Across sev­en decades, Mar­tin Scors­ese has been con­struct­ing his own vision of the Unit­ed States’ blood­stained mythology.
Group of women in traditional Spanish clothing, seated around a table with various accessories like fans, shawls, and hats. Vibrant red, pink, and brown colour scheme with intricate patterns and textures.
Review

Killers of the Flower Moon review – Scorsese’s prestige epic

by David Jenkins

Mar­tin Scorsese’s wist­ful remem­brance of tragedies that befell the Osage nation is a film of high seri­ous­ness and low spectacle.

5
Anticipation
3
Enjoyment
4
In Retrospect
Two people in traditional clothing standing in front of a vintage car, one wearing a patterned blanket.
Festivals

Killers of the Flower Moon – first-look review

by David Jenkins

Mar­tin Scorsese’s wist­ful remem­brance of tragedies that befell the Osage nation is a film of high seri­ous­ness and low spectacle.
Two people in traditional clothing standing in front of a vintage car, one wearing a patterned blanket.
Festivals

Martin Scorsese, Jonathan Glazer, and Wes Anderson lead the 2023 Cannes Film Festival lineup

by Charles Bramesco

The Com­pe­ti­tion selec­tion also includes new works from Cather­ine Breil­lat and Todd Haynes.
Elderly man wearing glasses and a suit, hands clasped in prayer, serious expression on face against a dark background.
Festivals

Croisette wishes: 20 films we’d like to see at Cannes in 2023

by Charles Bramesco

Mar­tin Scors­ese, Wes Ander­son, and Pedro Almod­ó­var num­ber among the heavy hit­ters expect­ed on the red carpet.
A man with long hair and sunglasses singing into a microphone on stage, accompanied by a guitarist.
Festivals

Personality Crisis: One Night Only — first-look review

by Charles Bramesco

New York Dolls front­man David Johansen takes the stage in Mar­tin Scors­ese’s lat­est music doc.
Monochrome image of a man wearing a tuxedo with a bow tie, standing in front of a curtain and a lamp.
Incoming

Martin Scorsese will narrate a documentary extolling Powell and Pressburger’s genius

by Charles Bramesco

The direc­to­r­i­al duo known as The Archers gave the world resplen­dent visions of fan­ta­sy like Black Nar­cis­sus and The Red Shoes.