At the turn of the millennium tween girls had plenty of films made for them – nowadays, there's next to nothing. Why did Hollywood give up?
By Sarah Cleary
20 years on, her performance as an uptight businesswoman trapped in the body of her teenage daughter is still among the best Disney has to offer.
Paul Schrader and Brett Easton Ellis's much-derided 2013 collaboration starring Lindsay Lohan is a sharper take on performance than it first appears.
By Sam Moore
The producer of The Canyons and The Card Counter reflects on his experience working with one of Hollywood’s most outspoken auteurs.
By Jack King
Director Mark Waters on how his hit high school comedy turned into a font of gif-based rejoinders.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
