In an ambitious venture, we count down our favourite wholly-original feature films of the last two decades.
We challenged you to create an automotive-inspired portrait of Agathe Rousselle: the results didn’t disappoint.
Our favourite film of 2021 is heading to MUBI, and to celebrate, we’re challenging you to create a portrait of Agathe Rousselle inspired by the film’s mechanical imagery.
The French model-turned-actor on getting into character for her breakout role in Julia Ducournau’s Titane.
By Sam Bodrojan
All hail the new flesh in Julia Ducournau’s dreamlike fable of a fractured young dancer grappling with the fire inside her.
Buckle up and say a Hail Mary as we take a peek under the hood of Julia Ducournau’s visceral Palme d’Or winner.
This year’s LFF programme comprises 39 per cent female and 40 per cent ethnically diverse directors/creators.
Before she was a Palme d'or winner, Ducournau made a creepy little short about a teenager undergoing a strange transformation.
Julia Ducournau’s sensational second feature offers an intoxicating mix of grease, gore and gasoline.
A car showroom model, a grieving father, and a woman with a mysterious past cross paths in Julia Ducournau’s latest.
With Wes Anderson, Leos Carax and Paul Verhoeven locked in, we’re ready to keep the rumour mill turning.
By Grace Lee
Grace Lee searches for meaning amid the so-called monstrosity of this superlative 2017 horror.
British composer Jim Williams discusses his work on Raw and Beast.
The all-female Black Rose Anthology is a necessary catalyst for achieving gender equality in the genre.
The likes of Raw, The Transfiguration and others speak directly to self-aware, socially-conscious teens.
By Elena Lazic
Annie Clark makes her directorial debut in this convention-flipping collection of shorts.
Both films express a uniquely female concern through visceral imagery.