The 2025 Cannes Film Festival line-up is here! | Little White Lies

Festivals

The 2025 Cannes Film Fes­ti­val line-up is here!

10 Apr 2025

Words by David Jenkins

Interior of an aeroplane cabin with rows of beige seats, overhead compartments, and cabin crew visible.
Interior of an aeroplane cabin with rows of beige seats, overhead compartments, and cabin crew visible.
Wes Ander­son, Kel­ly Reichardt, Joachim Tri­er and Julia Ducour­nau are among the con­tenders for this year’s Gold­en Palm.

It’s that time of year again. Award sea­son has offi­cial­ly come to a close, and that lit­tle lim­i­nal space that fol­lows it has wrapped. And so now, next year’s major con­tenders sneak into the lime­light as the Cannes Film Fes­ti­val announces the line-up of its 2025 edi­tion. And its made a rod for its own back, as last year no less than three of its com­pe­ti­tion line-up made their way into the Best Pic­ture Oscar list, with Sean Baker’s Ano­ra doing the dou­ble by win­ning the 2024 Palme d’Or and the 2025 Best Pic­ture and Director.

The year, Bob­by De Niro is get­ting a spe­cial life­time achieve­ment award, but in terms of pre-announce­ments, that is all we know. No jury, no poster, no open­ing film. So here we go for the biggest movie drop of the year…

Open­ing Film
Leave One Day (Amélie Bonnin)

Com­pe­ti­tion
Sen­ten­tal Val­ue (Joachim Tri­er)
Rome­ria (Car­la Simon)
Sound of Falling (Mascha Schilin­s­ki)
The Eagles of the Repub­lic (Tarik Saleh)
The Mas­ter­mind (Kel­ly Reichardt)
Dossier 137 (Dominik Moll)
The Secret Agent (Kle­ber Men­donça Fih­lo)
Two Pros­e­cu­tors (Sergei Loznitza)
Fuori (Mario Mar­tone)
Nou­velle Vague (Richard Lin­klater)
Sir­at (Oliv­er Laxe)
La Petite Dernier (Haf­sia Herzi)
The His­to­ry of Sound (Oliv­er Her­manus)
Alpha (Julia Ducour­nau)
Renoir (Chie Hayakawa)
Young Moth­ers (Jean-Pierre and Luc Dar­d­enne)
Edding­ton (Ari Aster)
The Phoeni­cian Scheme (Wes Anderson)

Pre­mière
Amrum (Fatih Akin)
Splitsville (Mike Covi­no)
Con­ner­mara (Alex Lutz)
The Dis­ap­pear­ance of Joseph Men­gele (Kir­ill Sere­bren­nikov)
Orwell (Raoul Peck)
La Ola (Sebas­t­ian Leilio)

Un Cer­tain Regard
Mete­ors (Hubert Charu­el)
My Father’s Shad­ow (Aki­no­la Davies Jr.)
L’inconnue de la Grande Arche (Stephane Demoustie)
Urchin (Har­ris Dick­in­son)
Eleanor the Great (Scar­lett Johanns­son)
A Pale View of the Hills (Kei Ishikawa)
Pil­lion (Har­ry Lighton)
Aicha Can’t Fly Away (Morad Mostafa)
Once Upon a Time in Gaza (Tarzan and Arab Nass­er)
Heads or Tails? (Alessio Rigo de Righi and Mat­teo Zoppis)

Spe­cial Selec­tions
Bono: Sto­ries of Sur­ren­der (Andrew Dominik)
Tell Her I Love Her (Claude Miller)
Mar­cel and Mr Pag­nol (Syl­vian Chomet)

Mid­night
Songs of the Neon Night (Juno Mak)
Exit 8 (Gen­ki Kawa­mu­ra)
Dol­loway (Yann Gozlan)

Out of Com­pe­ti­tion
The Com­ing of the Future (Cedric Klapisch)
Mis­sion Impos­si­ble: Final Reck­on­ing (Christo­pher McQuar­rie)
The Rich­est Women in the World (Thier­ry Kli­fa)
Pri­vate Lives (Rebec­ca Zlotowski)

The 2025 Cannes Film Fes­ti­val kicks off on 13 May.

You might like

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.