By Anton Bitel
José Ramón Larraz’s slasher swansong, Deadly Manor, features some playfully misdirection and an insane ending.
By Anton Bitel
José Ramón Larraz’s Edge of the Axe buries several over-used tropes of the genre.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
