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Close-up of a man wearing a dark jacket and light blue shirt, surrounded by pink hearts and floral motifs.
Acting Up

How Matthew Macfadyen remade Mr. Darcy

by Hannah Benson

In Joe Wright’s 2005 adap­ta­tion of Pride and Prej­u­dice, Matthew Mac­fadyen man­aged to breathe new life into an icon­ic lit­er­ary love inter­est. How did he do it?
Two people in historical costumes on the steps of a grand baroque church.
Review

Cyrano

by Leila Latif

Joe Wright returns to his wheel­house with a big-screen musi­cal adap­ta­tion of Edmond Rostand’s Cyra­no de Bergerac.

3
Anticipation
4
Enjoyment
3
In Retrospect
Cobbled street with historic buildings, people in medieval costumes walking
Incoming

Peter Dinklage and a few musical numbers liven up a classic in the Cyrano trailer

by Charles Bramesco

The lat­est film from Joe Wright brings his sig­na­ture the­atri­cal­i­ty to Rostand’s time­less romance.
A woman behind metal bars, looking concerned and making a hand gesture.
Review

The Woman in the Window

by Charles Bramesco

Joe Wright serves up a tepid slice of Hitch­cock­ian sus­pense, with Amy Adams as a para­noid agoraphobe.

4
Anticipation
2
Enjoyment
2
In Retrospect
A mature man in a suit and glasses holding a cigar in a dimly lit room.
Review

Darkest Hour

by Trevor Johnston

Gary Old­man is on career-best form in this stan­dard issue Win­ston Churchill biopic from direc­tor Joe Wright.

3
Anticipation
4
Enjoyment
3
In Retrospect
Two people conversing, a man in military uniform and a woman in a suit.
In Praise Of

Why Atonement remains a great modern film about love and war

by Lena Hanafy

Joe Wright’s World War Two-era romance is a beau­ti­ful sto­ry of a young cou­ple torn apart by fate.
Two men in dark, brooding attire standing in a shadowy, dimly lit room.
Review

Pan

by Clarisse Loughrey

Cul­tur­al appro­pri­a­tion abound in Joe Wright’s iffy pre­quel to JM Barrie’s beloved children’s novel.

2
Anticipation
2
Enjoyment
2
In Retrospect
A person in a fur-lined hood peering through a snowy forest, with bright blue eyes visible.
Review

Hanna

by Adam Woodward

Any intrigue estab­lished in Han­na is smoth­ered by a direc­tor unable to over­come his own art house ambitions.

3
Anticipation
3
Enjoyment
2
In Retrospect
Two men, one in a colourful jacket and the other in a grey coat, shaking hands.
Review

The Soloist

by Lorien Haynes

A big bud­get pro­duc­tion sees direc­tor Joe Wright los­ing the reins on a film with some tru­ly dire metaphor­i­cal moments.

4
Anticipation
3
Enjoyment
2
In Retrospect
Two people embracing by the sea
Review

Atonement

by Lorien Haynes

Joe Wright’s World War Two weepie is a near mas­ter­piece that only lacks the sub­stance of great performances.

4
Anticipation
4
Enjoyment
3
In Retrospect