Honor Swinton-Byrne reprises her role as the writer/director’s on-screen avatar in the forthcoming sequel.
This year’s LFF programme comprises 39 per cent female and 40 per cent ethnically diverse directors/creators.
Joanna Hogg’s follow-up to her 2019 masterpiece is an immaculate study of grief and filmmaking.
Joanna Hogg joins Clio Barnard and Miguel Gomes, while Frederick Wiseman will be honoured with the Carrosse d’Or.
After The Souvenir Part II, we’ll see her in the writer/director’s The Eternal Daughter.
Our noughties ranking reaches the midway point, as Amélie, Oldboy and Spider-Man 2 all make the cut.
Watch a film, then stick around for a cosy chat with the likes of Céline Sciamma and Mia Hansen-Løve.
It’s a(nother) good year to be a white man, as the nominations for UK’s premier film awards prove.
Counting down our favourite feature-length releases from the past 12 months.
By Will Webb
Revisiting the acclaimed British writer/director’s first three features, Unrelated, Archipelago and Exhibition.
He may have hit pay dirt at Marvel, but Hiddleston found his acting feet as the British director’s roguish muse.
The writer/director and star of The Souvenir discuss diaries, memories and the life-changing qualities of making art.
Joanna Hogg explores her own memories to create a fragile, fascinating portrait of romance in both bloom and decay.
The former, along with Charlie Heaton, is replacing Robert Pattinson in Joanna Hogg’s next film.
By Iana Murray
This year’s EIFF showcased a diverse crop of homegrown films, from a monochrome Cornish curio to a love letter to Dundee.
This special, expanded edition of the magazine celebrates British cinema and contains moving illustrations.
Honor Swinton Byrne and her mother Tilda star in the critically-lauded drama.