Tilda Swinton plays both mother and daughter in Joanna Hogg's eerie and effective exploration of parent-child relationships.
From Glass Onion to Decision to Leave, this year’s cinematic bonanza is packed to the gills with discovery and delight.
The sequel to Joanna Hogg’s autobiographical masterpiece is a stunning portrait of an artist’s profound exploration of grief.
Honor Swinton-Byrne reprises her role as the writer/director’s on-screen avatar in the forthcoming sequel.
This year’s LFF programme comprises 39 per cent female and 40 per cent ethnically diverse directors/creators.
Joanna Hogg’s follow-up to her 2019 masterpiece is an immaculate study of grief and filmmaking.
Joanna Hogg joins Clio Barnard and Miguel Gomes, while Frederick Wiseman will be honoured with the Carrosse d’Or.
After The Souvenir Part II, we’ll see her in the writer/director’s The Eternal Daughter.
Our noughties ranking reaches the midway point, as Amélie, Oldboy and Spider-Man 2 all make the cut.
Watch a film, then stick around for a cosy chat with the likes of Céline Sciamma and Mia Hansen-Løve.
It’s a(nother) good year to be a white man, as the nominations for UK’s premier film awards prove.
Counting down our favourite feature-length releases from the past 12 months.
By Will Webb
Revisiting the acclaimed British writer/director’s first three features, Unrelated, Archipelago and Exhibition.
He may have hit pay dirt at Marvel, but Hiddleston found his acting feet as the British director’s roguish muse.
The writer/director and star of The Souvenir discuss diaries, memories and the life-changing qualities of making art.
Joanna Hogg explores her own memories to create a fragile, fascinating portrait of romance in both bloom and decay.
The former, along with Charlie Heaton, is replacing Robert Pattinson in Joanna Hogg’s next film.