Joanna Hogg

The Eternal Daughter review – double your Tilda, double your pleasure

By Catherine Bray

Tilda Swinton plays both mother and daughter in Joanna Hogg's eerie and effective exploration of parent-child relationships.

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Two Tilda Swintons enter Johanna Hogg’s haunted house in the Eternal Daughter trailer

By Charles Bramesco

Swinton plays a Hogg stand-in as well as her mother in the atmospheric not-quite-horror picture.

The Eternal Daughter – first-look review

By Catherine Bray

Tilda Swinton plays both mother and daughter in Joanna Hogg's eerie and effective exploration of parent-child relationships.

The full 2022 BFI London Film Festival line-up has been announced

By Marina Ashioti

From Glass Onion to Decision to Leave, this year’s cinematic bonanza is packed to the gills with discovery and delight.

The Souvenir: Part II

By Hannah Strong

The sequel to Joanna Hogg’s autobiographical masterpiece is a stunning portrait of an artist’s profound exploration of grief.

review LWLies Recommends

Joanna Hogg’s memoir goes meta in the first trailer for The Souvenir Part II

By Charles Bramesco

Honor Swinton-Byrne reprises her role as the writer/director’s on-screen avatar in the forthcoming sequel.

The 2021 BFI London Film Festival line-up has been announced

By Adam Woodward

This year’s LFF programme comprises 39 per cent female and 40 per cent ethnically diverse directors/creators.

The Souvenir Part II – first-look review

By Hannah Strong

Joanna Hogg’s follow-up to her 2019 masterpiece is an immaculate study of grief and filmmaking.

The Souvenir Part II will premiere in Cannes Directors’ Fortnight

By Hannah Strong

Joanna Hogg joins Clio Barnard and Miguel Gomes, while Frederick Wiseman will be honoured with the Carrosse d’Or.

Tilda Swinton will star in Joanna Hogg’s other upcoming film

By Charles Bramesco

After The Souvenir Part II, we’ll see her in the writer/director’s The Eternal Daughter.

The 100 Best Films of the 2000s: 50-26

By Little White Lies

Our noughties ranking reaches the midway point, as Amélie, Oldboy and Spider-Man 2 all make the cut.

Curzon Home Cinema launches online live Q&A series

By Hannah Strong

Watch a film, then stick around for a cosy chat with the likes of Céline Sciamma and Mia Hansen-Løve.

Why it’s time to shut down the BAFTAs

By David Jenkins

It’s a(nother) good year to be a white man, as the nominations for UK’s premier film awards prove.

The 30 best films of 2019

By Little White Lies

Counting down our favourite feature-length releases from the past 12 months.

Watch: A Beginner’s Guide to Joanna Hogg

By Will Webb

Revisiting the acclaimed British writer/director’s first three features, Unrelated, Archipelago and Exhibition.

Remembering Tom Hiddleston as Joanna Hogg’s muse

By Beatrice Loayza

He may have hit pay dirt at Marvel, but Hiddleston found his acting feet as the British director’s roguish muse.

Joanna Hogg and Honor Swinton Byrne on the art of vulnerability

By Sophie Monks Kaufman

The writer/director and star of The Souvenir discuss diaries, memories and the life-changing qualities of making art.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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