Jim Jarmusch

The Dead Don’t Die – first look review

By Hannah Woodhead

Jim Jarmusch takes aim at the ills of capitalism in this star-studded smalltown zombie comedy.

Going to Graceland – Revisiting Mystery Train at 30

By William Carroll

Jim Jarmusch’s 1989 film is a melodic ode to an America of drifters, tourists and lonesome wanderers.

Xavier Dolan, Terrence Malick headline 72nd Cannes Film Festival

By Adam Woodward

This year’s Official Selection features new works from Jim Jarmusch, Bong Joon-ho and Jessica Hausner.

The Dead Don’t Die to open the 72nd Cannes Film Festival

By Adam Woodward

Jim Jarmusch’s star-studded zombie comedy will receive its world premiere on 14 May.

Jim Jarmusch returns with the first The Dead Don’t Die trailer

By Charles Bramesco

The director’s zombie-themed latest stars Adam Driver, Tilda Swinton and Bill Murray.

25 films we’d like to see at the 2019 Cannes Film Festival

By Adam Woodward

Could these be the directors vying for this year’s Palme d’Or?

Jim Jarmusch teams up with experimental lute player for new album

By Charles Bramesco

‘An Attempt to Draw Aside the Veil’ is out 8 February via Sacred Bones.

60 films to look forward to in 2019 – part 2

By Rory Marsh

New works from Claire Denis, Jordan Peele and Kelly Reichardt round out our bumper 2019 preview.

Does being authorised make a documentary more authentic?

By Ed Gibbs

Director Steve Loveridge was granted unprecedented access to singer-activist M.I.A, but does it meaningfully enhance his film?

Six of the best films about poets

By Ross McDonnell

From The Colour of Pomegranates to A Quiet Passion, seek out these fascinating portraits of verse-makers.

The 100 best films of the 1990s: 25-1

By Little White Lies

Wes Anderson, Kathryn Bigelow and Wong Kar-wai feature in the final part of our ’90s ranking.

The 25 best films of 2016

By Little White Lies

Our annual rundown of the year’s finest new releases, featuring Paterson, Love & Friendship, Rogue One and more.

Can cinema teach us the true value of human communication?

By Alex Denney

Films like Arrival and Paterson have plenty to say about the importance of learning how to listen.

Paterson

By Sophie Monks Kaufman

One of 2016’s finest pulls up just before the year ends, and Adam Driver is sat smiling at the wheel.

review LWLies Recommends

Jim Jarmusch: ‘The spirit of punk is even more valuable now than ever’

By Zach Lewis

The indie idol discusses Paterson, the musicality of movies and how Man Ray made films for his band to play along to.

Gimme Danger

By Josh Slater-Williams

Jim Jarmusch lauds The Stooges, the greatest rock ’n’ roll band that ever lived.

review

Paterson – first look review

By David Jenkins

Another stunner from Jim Jarmusch starring Adam Driver as a bus driver who pines for a life of poetry.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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