The Japanese filmmaker reflects on the moving experience of working with composer Ryuichi Sakamoto on his final score, for his new drama Monster.
The relationship between two young schoolboys has ramifications for their local community in the new drama from Hirokazu Koreeda.
The psychological courtroom thriller with the great Sandra Hüller wins the top prize at the Cannes Film Festival.
Hirokazu Kore-eda’s latest, scored by the late Ryuichi Sakamoto, is a dense, shape-shifting drama that grows more scattered as it progresses.
The Competition selection also includes new works from Catherine Breillat and Todd Haynes.
Martin Scorsese, Wes Anderson, and Pedro Almodóvar number among the heavy hitters expected on the red carpet.
Hirokazu Koreeda's latest tale of found families focuses on an illegal South Korean adoption scheme, run by two grifters with hearts of gold.
By Nadila
The work of Hirokazu Koreeda and kogonada encourages us to slow down and reflect on the human experience if we wish to truly understand what it is to be alive.
Broker focuses on a found family of grifters with hearts of gold who set off on a road trip across South Korea with the police hot on their tail.
A woman who leaves her infant son in a Busan “baby box” finds an unexpected family in Hirokazu Koreeda’s tender drama.
This year’s stacked line-up also includes new work Kelly Reichardt, Ruben Ostlünd and Park Chan-wook – but no David Lynch.
Wachowskis regular Bae Doona and Parasite’s Song Kang-ho lead the cast of Baby, Box, Broker.
Our noughties ranking reaches the midway point, as Amélie, Oldboy and Spider-Man 2 all make the cut.
She’s taking on an English-language version of Like Father, Like Son for her follow-up to The Farewell.
Hirokazu Koreeda follows up Shoplifters with a typically dreamy, heart-piercing family drama.
Two films at the San Sebastian Film Festival showcase a more old school way of depicting the bittersweet passage of time.
The Japanese master of family observation, Hirokazu Kore-eda, heads to Paris for his English language debut.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
