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Truth & Movies - A Little White Lies Podcast
Podcast

Francis Ford Copolla Special + San Sebastian

On Truth & Movies this week, it’s a Fran­cis Ford Cop­po­la Spe­cial in hon­our of his long-ges­tat­ing pas­sion project Mega­lopo­lis final­ly com­ing to the screen. We hear from David Jenk­ins about the San Sebas­t­ian Film Fes­ti­val and look at two of Copolla’s pre­vi­ous works, Bram Stoker’s Drac­u­la and Tuck­er: The Man And His Dream.
Man in a suit pointing a gun at the camera in a dramatic, cinematic setting with yellow lighting.
Review

Megalopolis review – scintillating, absurd and violently original

by David Jenkins

Ignore the haters – this is the kalei­do­scop­ic, enrich­ing, Well­sian vision of a grand old mas­ter with noth­ing to lose.

3
Anticipation
4
Enjoyment
4
In Retrospect
Truth & Movies - A Little White Lies Podcast
Podcast

Cannes Special | The Shrouds + Megalopolis

On Truth & Movies this week, the team are com­ing at you live from the 2024 Cannes Film Fes­ti­val with a round-up of all the great and the good movies they’ve caught, includ­ing Andrea Arnold’s Bird, David Cronenberg’s The Shrouds and Fran­cis Ford Coppola’s Megalopolis.
Two young people, a man and a woman, standing close together in a dimly lit urban setting.
Festivals

Cannes Film Festival 2024: the full line-up

by David Jenkins

Yor­gos Lan­thi­mos, David Cro­nen­berg and Fran­cis Ford Cop­po­la roll out for France’s pre­mière film jamboree.
Elderly man in dark suit, blue shirt, and spotted tie, standing in front of a concrete wall.
Incoming

For Francis Ford Coppola, a production off the rails is right on track

by Charles Bramesco

His come­back pic­ture Mega­lopo­lis has been marred by high-pro­file sna­fus — not that we’d expect any­thing less.
A close-up black and white portrait of a woman with blonde hair behind an ornate metal grill.
Home Ents

Discover Francis Ford Coppola’s Psycho-inspired directorial debut

by Anton Bitel

The Roger Cor­man-pro­duced Demen­tia 13 is much more than a quick­ie Hitch­cock ripoff, as this Director’s Cut proves.
Two young men standing in a wooded area, one wearing a checked shirt and the other a denim jacket.
In Praise Of

Nothing Gold Can Stay – In praise of Francis Ford Coppola’s The Outsiders

by James Clarke

This teenage dra­ma from 1983 is the pin­na­cle of the director’s career-long obses­sion with the pas­sage of time.
Two older men in winter clothing, one wearing a hat, standing and conversing outdoors.
Incoming

Francis Ford Coppola is set to finish his long-delayed epic Megalopolis

by Charles Bramesco

He’s will­ing to fork out his own mil­lions on a would-be cast of Oscar Isaac, Cate Blanchett and For­est Whitaker.
Man in a suit sitting at a table, expression serious.
Incoming

Francis Ford Coppola has prepared a new edit of The Godfather Part III

by Charles Bramesco

Coda: The Death of Michael Cor­leone will restore the direc­tor and Mario Puzo’s orig­i­nal vision.
Group of people in glittering white gowns and tuxedo posing in front of a shimmering pink curtain backdrop.
Incoming

A forgotten Francis Ford Coppola gem will get a second life in theaters

by Charles Bramesco

The Cot­ton Club’s Encore cut restores stu­dio-pruned footage.