A forgotten Francis Ford Coppola gem will get a… | Little White Lies

Incoming

A for­got­ten Fran­cis Ford Cop­po­la gem will get a sec­ond life in theaters

16 Sep 2019

Words by Charles Bramesco

Group of people in glittering white gowns and tuxedo posing in front of a shimmering pink curtain backdrop.
Group of people in glittering white gowns and tuxedo posing in front of a shimmering pink curtain backdrop.
The Cot­ton Club’s Encore cut restores stu­dio-pruned footage.

Fran­cis Ford Cop­po­la had a dif­fi­cult go of things dur­ing the 80s, as audi­ences and crit­ics start­ed to pull back on the favor they’d shown him dur­ing the pre­vi­ous decade. Cop­po­la kept on mak­ing dar­ing orig­i­nal works painstak­ing­ly evok­ing vivid cor­ners of the past, but the pub­lic wasn’t buy­ing it.

One of the films large­ly shunned dur­ing this peri­od of polar­iza­tion was The Cot­ton Club, a 1930s peri­od piece mash­ing up the gang­ster and musi­cal pic­tures into one dizzy­ing work of Old Hol­ly­wood arti­fice. Despite its elab­o­rate pro­duc­tion design and a break­out turn from a young kid named Nico­las Cage, it flopped hard and quick­ly dis­solved into mem­o­ry for all but the most ded­i­cat­ed Cop­po­la completists.

That may soon change, how­ev­er, with Cop­po­la now ready­ing a new restored cut for a pre­mière at the New York Film Fes­ti­val. The Cot­ton Club Encore will play at NYFF on 5 Octo­ber before get­ting a the­atri­cal run across Amer­i­ca lat­er that month, and then a video release before the year’s up.

The Encore rep­re­sents the cul­mi­na­tion of a com­plete rework, not only spiff­ing up the audio and pic­ture to a fresh new glo­ry, but adding in footage that an argu­men­ta­tive Ori­on Pic­tures forcibly removed pri­or to the ini­tial run. Cop­po­la esti­mates that 25 to 30 min­utes of new scenes have been dropped in, such as the end­ing that the auteur had orig­i­nal­ly planned, as well as all-new musi­cal numbers.

A Dead­line fea­ture from ear­li­er this year spec­i­fies that Cop­po­la has poured over a half-mil­lion of his per­son­al dol­lars into this effort to bring The Cot­ton Club back to life, and in the process, pos­si­bly reha­bil­i­tate its image. For too long, many have writ­ten off Coppola’s out­put in the 80s as the mis­fires of a mas­ter con­sumed by his own tal­ents; look a lit­tle clos­er, and all the idio­syn­crat­ic risk starts to look a bit more like artistry and less like a bad bet.

The Cot­ton Club Encore comes to the­aters on 11 Octo­ber, and then video on 10 December.

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