Francis Ford Coppola Reviews and Articles | Little White Lies

Talent Francis Ford Coppola

Man in a suit pointing a gun at the camera in a dramatic, cinematic setting with yellow lighting.
Review

Megalopolis review – scintillating, absurd and violently original

by David Jenkins

Ignore the haters – this is the kalei­do­scop­ic, enrich­ing, Well­sian vision of a grand old mas­ter with noth­ing to lose.

3
Anticipation
4
Enjoyment
4
In Retrospect
A man in a dark suit and coat stands on a city street, with buildings and people in the background.
Review

The Godfather: Part II (1974)

by David Jenkins

Fran­cis Ford Coppola’s mag­num opus gets a big screen out­ing, see it if only to be able to under­stand The Simp­sons better.

5
Anticipation
5
Enjoyment
5
In Retrospect
A man with short dark hair wearing a green t-shirt, standing in a forest setting.
Review

Apocalypse Now (1979)

by Matt Bochenski

A jaw-drop­ping spec­ta­cle and brain-melt­ing exis­ten­tial night­mare, Fran­cis Ford Coppola’s Viet­nam opus is touched by genius.

5
Anticipation
5
Enjoyment
5
In Retrospect
Two people conversing at a table, one wearing a polka dot shirt.
Review

Tetro

by Matt Bochenski

Tetro may echo the themes of Fran­cis Ford Coppola’s past mas­ter­pieces, but this is the return of an artist, not a legend.

4
Anticipation
3
Enjoyment
4
In Retrospect