By Anton Bitel
Denis Villeneuve’s third feature, which respectfully dramatises a real-life school shooting, remains tragically relevant.
This searing drama forced me to confront the uncomfortable reality of my relatively privileged upbringing in the Middle East.
Checking in on the director’s long-gestating, Timothée Chalamet-starring sci-fi epic.
Filmmakers like Christopher Nolan and Alex Garland are stoking our curiosity and critical thinking, but they’re in the minority.
As a school shooting survivor, films like Elephant and Polytechnique have a special resonance for me.
By Katie Goh
Films like Blade Runner 2049 project male fantasies by placing women in roles of domestic servitude.
By Nathan Smith
Like Philip K Dick’s replicants, Kurt Russell’s steely-eyed space marine asks what it means to be human.
Denis Villeneuve tangles with Replicants in this bombastic though naggingly shallow sci-fi sequel to Ridley Scott’s 1982 cult classic.
Before Blade Runner 2049 hits cinemas, video essayist Luís Azevedo explores a complex existential question.
Denis Villeneuve’s hotly-anticipated sequel arrives a time of heightened cultural anxiety in the West.
By Mark Allison
Josh Brolin and Benecio Del Toro are set to return in this continuation of Denis Villeneuve's cartel land throwdown.
You’ll soon be able to play with Ryan Gosling on your mobile device.
By Dan Einav
The Arrival and Blade Runner 2049 director is working on a remake of Frank Herbert’s hard SF epic.
New films from Ben Wheatley, Kelly Reichardt and Shane Carruth wrap up our bumper preview.
Watch Ryan Gosling hunt down Harrison Ford in this first look at Denis Villeneuve’s forthcoming sequel.
By Ella Donald
From Junebug to Arrival, the story of how Amy Adams finally came of age on screen.
M Night Shyamalan’s claustrophobic tale of aliens landing speaks to the fearful mindset that led to Trump.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
