Screenwriter, filmmaker and David Lynch disciple Aaron Stewart-Ahn reflects on growing up a stone's throw from the setting of Lynch's magnum opus, and what lies at the beating heart of all his creative work.
David Lynch's most unlikely feature examines the pain, regret, love and hope that makes life worth living.
Jourdain Searles reflects on the power dynamics at play in David Lynch's seductive 1986 thriller.
Christina Newland explores the rhythms of David Lynch's take on the life of Joseph Merrick.
By Mark Asch
Mark Asch recalls the sultry summer of 2017, when Dale Cooper returned to television and the world was forever changed.
Sophie Monks Kaufman recalls a strange vision in the nighttime and the haunting nature of David Lynch's 1997 neo-noir.
David Lynch's one-time adventure in Hollywood blockbuster filmmaking would forever change him – but not his heart.
Throughout his career – though perhaps nowhere so much as in Inland Empire – David Lynch carved out a space for powerful depictions of women in crisis.
By Esmé Holden
David Lynch's little-seen cartoon series about an angry man named Randy couldn't be more pertinent.
By Juan Barquin
Mark Frost and David Lynch's beloved television series is a testament to the greatest power human beings have.
A snakeskin jacket stands for so much in David Lynch's lurid fairytale Wild at Heart.
With already countless strings to her acting bow, Cate Blanchett adds yet one more by starring in Matty Sidle’s experimental comic short, Bozo Over Roses.
Willow Catelyn Maclay reflects on the lonely last days of Laura Palmer in David Lynch's Twin Peaks prequel.
This absorbing and carefully-crafted chronicle of a quaint Belgian village crumbling to pieces is 2025 breakout.
In our tribute to the works and worlds of David Lynch, David Jenkins reflects on his most spiritual film.
Timothée Chalamet and Zendaya shine as mystical freedom fighters in this grandiose and often-breathtaking blockbuster.
By Sarah Cleary
Metal is often given short shrift at the movies, but a handful of great auteurs have used the genre and its subculture to brilliant effect.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
