Critics’ Week

Julie Keeps Quiet – first-look review

By David Jenkins

A young tennis star refuses to open about an abusive coach in Leonardo Van Dijl’s impressive feature debut.

Love According to Dalva – first-look review

By Alexandria Slater

Emmanuelle Nicot paints an achingly beautiful portrait of friendship, recovery and identity through a young girl’s sexual abuse story.

Cannes sidebars officially cancel their 2020 editions

By Charles Bramesco

The pandemic has prompted the Directors’ Fortnight, Critics’ Week and Acid festivals to set their sights on 2021.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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