Gerard Johnson’s genre-defying latest tosses class, sexuality and body image into a pungent stew.
Space dogs, muscle men and a Soviet cinema icon were at the forefront of this year’s event.
By Paul Ridd
The low-rent British gangster series has a lot more to offer than brainless, brutal violence.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
