By Will Webb
How South Korean cinema’s domestic boom in the late 1990s took over the world.
After sweeping the Oscars, Bong Joon-ho now has the honour of knocking Mel Gibson off his perch.
The “local” awards ceremony reflects an industry inching towards globalization.
The South Korean master dissects his deliciously dark capitalist satire, Parasite.
By Will Webb
To celebrate the release of Parasite, check out this video primer to South Korea’s finest cinematic export.
Bong Joon-ho has prepared a monochrome edit of his award-winning comedy-thriller.
By Max Copeman
Renowned design studio La Boca have created an illustrated poster for the South Korean director’s latest.
The latest promotional artwork for the South Korean master’s riotous domestic comedy is a thing of beauty.
At the 63rd BFI London Film Festival, five films directed by women signalled a new chapter for Korean cinema.
By Halim Kim
The serial killer case that inspired the South Korean director’s 2003 film finally appears to have been solved.
Class conflict takes a bloody turn in the South Korean master’s Palme d’Or winner.
The South Korean director’s social satire takes top honours among a mixed bag of winners at this year’s festival.
Bong Joon-ho is back with a dark, spiky and hilarious social satire about the seductive nature of greed.
This year’s Official Selection features new works from Jim Jarmusch, Bong Joon-ho and Jessica Hausner.
The South Korean master has returned to his homeland for this follow-up to Okja.
Could these be the directors vying for this year’s Palme d’Or?
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
