12 results found
by Dan Cooper
Blade Runner, Akira and The Running Man are all set in our present – but how much did they get right?
by David Jenkins
From blockbusters like Interstellar and Rogue One, as well as various homegrown productions, cinema is now a vital part of the Icelandic economy.
by Danilo Castro
Alex Proyas’ homage to classic tech-noirs like Blade Runner, Brazil and Akira was released 20 years ago.
by Katie Goh
Films like Blade Runner 2049 project male fantasies by placing women in roles of domestic servitude.
by Nadine Smith
Like Philip K Dick’s replicants, Kurt Russell’s steely-eyed space marine asks what it means to be human.
Denis Villeneuve tangles with Replicants in this bombastic though naggingly shallow sci-fi sequel to Ridley Scott’s 1982 cult classic.
by Chris Edwards
The actor’s balance of robotic detachment and human impulse deepens the mystery.
by Anastasia Miari
Denis Villeneuve’s hotly-anticipated sequel arrives a time of heightened cultural anxiety in the West.
by Juliette Cottu
You’ll soon be able to play with Ryan Gosling on your mobile device.
by Dan Einav
The Arrival and Blade Runner 2049 director is working on a remake of Frank Herbert’s hard SF epic.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.