By Kevin Bui
The voice actor brought his life experience to the role of the Caped Crusader, and in the process gave us a batman for the ages.
By Paul Risker
Nearly 50 years since Jaws changed the shape of cinema, the term 'blockbuster' has come a long way – but not always for the better.
Robert Pattinson’s grunge prince vows to wash the scum off Gotham’s streets in Matt Reeves’ noirish detective thriller.
Danny DeVito’s portrayal of Oswald Cobblepot in Batman Returns shows the importance of embracing your differences.
Not fussed about the Snyder Cut? Don’t worry, we’ve got several other directors’ versions for you to sample.
This fan service-heavy redux of the 2017 superhero pile-up just about justifies its existence.
There’s plenty of pizzazz in Patty Jenkins’ DC sequel, but it lacks the charm and personality of its predecessor.
By Anton Bitel
With its camp aesthetic and winking humour, Mike Hodges’ swash-buckling space romp is undeniably a product of its time.
Cartoonist David Squires imagines how the residents of Gotham are dealing with COVID-19.
Todd Phillips’ supervillain origin story strains so hard for seriousness and relevance that it cracks into a million pieces.
The director’s vision of Gotham City remains one of blockbuster cinema’s greatest creations.
Beat it, Batman. Step aside, Supes. The DC Extended Universe has got itself a new golden boy.
Ben Affleck’s short-lived Batman deserved better than to end up on the DC scrapheap.
A petition calling for the release of Zack Snyder’s extended Justice League cut has got us thinking about a curious trend in modern cinema.
The latest film off the DC production line sees Batman and co team up to fight an ancient evil force, with underwhelming results.
By Colin Biggs
Three films into the DCEU, the time to introduce a darker Man of Steel may have already passed.
As a kid, I found solace in the comic book characters who resembled my own outcast existence.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
