A gaudy blue folly which encapsulates James Cameron’s strength as an image-maker, but weakness as a storyteller.
By Ben Schwartz
As Avatar 2: The Way of Water heads into cinemas, it's worth reconsidering the strange, polarising world of 3D, and what it can bring to the big screen.
Put that in your Infinity Gauntlet and smoke it, Avengers: Endgame!
Audiences have started losing interest, but the technology still has the potential to reshape the artform as we know it.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
