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Ornate interior with grand architecture, dim lighting, and a person silhouetted in the foreground.
Festivals

2073 – first-look review

by Anahit Behrooz

Bend­ing the bound­aries of doc­u­men­tary and sci-fi, Asif Kapa­dia presents an urgent mes­sage about the cur­rent state of the world, and where we might be head­ed, with help from Saman­tha Morton.
Two dancers performing a dramatic dance routine on stage, with the male dancer supporting the female dancer as she arches her back. The scene is dark with dramatic lighting, emphasising the movement and emotion of the performance.
Review

Creature

by Lillian Crawford

Asif Kapadia’s col­lab­o­ra­tion with chore­o­g­ra­ph­er Akram Khan expert­ly man­i­fests Michael Powell’s dream of a fea­ture-length bal­let film.

4
Anticipation
5
Enjoyment
4
In Retrospect
Crowded football stadium with players in blue jerseys on the pitch surrounded by spectators.
Review

Diego Maradona

by Adam Woodward

Sen­na direc­tor Asif Kapa­dia delves into the con­tro­ver­sial life and career of Argentina’s soc­cer messiah.

3
Anticipation
3
Enjoyment
3
In Retrospect
Young woman in dark clothes excitedly reacting to something off-screen, smiling and gesturing with her hands.
Festivals

Amy – first look review

by Sophie Monks Kaufman

Asif Kapadia’s melo­dra­mat­ic por­trait of the late jazz singer fails to hit all the right notes.
A racing driver in a red and white car, wearing a yellow helmet and focused expression.
Review

Senna

by Matt Bochenski

Sen­na may well have been a vic­tim of F1’s pol­i­tics, but it’s also clear that he played those games as well as anybody.

4
Anticipation
3
Enjoyment
3
In Retrospect