Anna Kendrick

Woman of the Hour – first-look review

By Charles Bramesco

Anna Kendrick’s directorial debut, about a abused upstart actress and a serial killer in her midst, says all the right things, but too loud and too often.

Scott Pilgrim is back in action, now in anime form

By Charles Bramesco

The cast of Edgar Wright's film adaptation has reunited for a Netflix miniseries about the mild-mannered, ex-dueling Torontonian.

Trolls World Tour

By Jake Cunningham

The Trolls are back in town. And you’d better believe they’re ready to rock.

review

Chris Morris is back with incendiary satire The Day Shall Come

By Adam Woodward

Read an explosive statement from the Four Lions writer/director on his latest political comedy.

A Simple Favour

By Hannah Strong

Hollywood funny guy Paul Feig tries his hand at something a little different with this fizzy comedy thriller.

review

Pitch Perfect 3

By Hannah Strong

The final film in Kay Cannon’s trilogy about a group of singing friends is more awk-apella than a cappella.

review

The Accountant

By Manuela Lazic

Ben Affleck’s compelling low-key performance isn’t enough to save this by-the-numbers thriller.

review

Mike and Dave Need Wedding Dates

By Elena Lazic

Zac Efron and Adam Devine play hapless dudebro brothers in this silly, surprisingly offensive comedy.

review

Watch the pulsating first trailer for The Accountant

By Henry Heffer

Ben Affleck plays the numbers game in this Bourne-esque thriller from director Gavin O’Connor.

Pitch Perfect 2

By Cormac O'Brien

The further acapella antics from the Barden Bellas in this Elizabeth Banks-directed comedy sequel.

review

Into the Woods

By Adam Woodward

A sing-a-long review of this delightful screen adaptation of Stephen Sondheim’s classic musical.

review

Life After Beth

By Rebecca Ellis

The comedy inherent in a human/zombie love pairing doesn’t get this tired and unambitious genre pastiche very far.

review

Pitch Perfect

By David Jenkins

A glossy, super lightweight comedy on collegiate a capella tournaments is saved by a few stunning moments.

review

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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