In Joe Wright's 2005 adaptation of Pride and Prejudice, Matthew Macfadyen managed to breathe new life into an iconic literary love interest. How did he do it?
By Leila Latif
Joe Wright returns to his wheelhouse with a big-screen musical adaptation of Edmond Rostand’s Cyrano de Bergerac.
The latest film from Joe Wright brings his signature theatricality to Rostand’s timeless romance.
Joe Wright serves up a tepid slice of Hitchcockian suspense, with Amy Adams as a paranoid agoraphobe.
Gary Oldman is on career-best form in this standard issue Winston Churchill biopic from director Joe Wright.
By Lena Hanafy
Joe Wright’s World War Two-era romance is a beautiful story of a young couple torn apart by fate.
Any intrigue established in Hanna is smothered by a director unable to overcome his own art house ambitions.
Joe Wright’s World War Two weepie is a near masterpiece that only lacks the substance of great performances.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
