Why is TV so reluctant to embrace body diversity? | Little White Lies

Not Movies

Why is TV so reluc­tant to embrace body diversity?

10 Nov 2016

Words by Roxanne Sancto

Two women, one with glasses and tattoos, the other with afro hair, standing in a bathroom.
Two women, one with glasses and tattoos, the other with afro hair, standing in a bathroom.
Orange is the New Black and Girls are rare exam­ples of shows which seek to nor­malise diverse body types.

In com­e­dy it is not uncom­mon for female per­form­ers to per­sis­tent­ly make them­selves the butt of their own jokes. This is of course true for many men as well – Louis CK has shared plen­ty of anec­dotes about his sag­ging tes­ti­cles and var­i­ous oth­er unde­sir­able phys­i­cal attrib­ut­es and, in so doing, lev­els with an audi­ence that may relate to feel­ings of inse­cu­ri­ty and inad­e­qua­cy. But there a lot of female come­di­ans whose entire careers are built on self-dep­re­ca­tion, often down­play­ing their own fem­i­nin­i­ty and intel­li­gence in order to appeal to both sides of the gen­der spectrum.

For all those women watch­ing, this cre­ates a sense of uni­ty and false self-esteem, while desex­u­al­is­ing the on-stage char­ac­ter for the male audi­ence through crass imagery and per­ceived over­shares. Amy Schumer, Jo Brand, Jen­ny Zigri­no and Miran­da Hart are all incred­i­bly fun­ny women who could make a joke out of any­thing, and yet, they choose to focus the major­i­ty of their sets on mak­ing fun of their own body, awk­ward sex­u­al­i­ty, often degrad­ing them­selves in the process. With the first rule in the writer’s hand­book being write what you know’, it is hard­ly fair to crit­i­cise this approach: this is their expe­ri­ence and they should cer­tain­ly share it. It is obvi­ous that women the world over relate to their big-boobed dilem­mas or being a lean, sporty woman trapped in a fat body.”

Yet unlike the women on the stand-up com­e­dy cir­cuit, tele­vi­sion and film actress­es do not have any say over their script­ed char­ac­ters. The roles avail­able for plus-sized actress­es are lim­it­ed at best and, regret­tably, many of the char­ac­ters on offer are defined by their weight and lit­tle else. While this is down to the fact that female lead char­ac­ters are often intend­ed to appeal to male audi­ences, even TV and film gen­res aimed at pri­mar­i­ly at women are quick to make a plus-sized female character’s phys­i­cal and emo­tion­al chal­lenges the main storyline.

Woman sitting at cluttered table eating takeaway food alone in a dimly lit room.

Either that, or they are forced into oth­er clichéd roles such as the DUFF (Des­ig­nat­ed Ugly Fat Friend), or the des­per­ate lone­ly girl who spends her night cry­ing into a bowl of choco­late pud­ding and dis­solves into a pud­dle of sweat at the mere sight of a tread­mill. There has always been this curi­ous, strong need to address and apol­o­gise for a woman’s body type, espe­cial­ly if it does not fit in with con­ven­tion­al beau­ty standards.

What’s worse is what actu­al­ly con­sti­tutes a plus-size in Hol­ly­wood these days: in MTV’s high-school series Awk­ward, the noto­ri­ous, self-pro­claimed bitch Sadie Sax­ton (Mol­ly Tarlov) is depict­ed as being over­weight when she is far from it – a down­right dan­ger­ous sen­ti­ment giv­en the show’s tar­get audi­ence. Odd­ly enough, over­weight men don’t seem to face the same degree of chal­lenges in the indus­try and their body type is rarely men­tioned but instead word­less­ly con­veyed as alpha male attrib­ut­es (think James Gandolfini’s Tony Soprano).

In the last five years, there has been a steady rise in shows that have come to embrace body diver­si­ty on TV. Lena Dunham’s Girls is refresh­ing­ly unapolo­getic when it comes to por­tray­ing dif­fer­ent body types in var­i­ous stages of undress and, while Dunham’s char­ac­ter, Han­nah Hor­vath, has received crit­i­cism from male view­ers, the female audi­ence appar­ent­ly can­not applaud her authen­tic­i­ty enough.

Two female inmates wearing orange and beige prison uniforms sit at a table in a prison cafeteria, eating from trays.

This nat­ur­al approach to unedit­ed nudi­ty is fur­ther explored in Netflix’s Orange is the New Black. Not only does the show pride itself with a racial­ly diverse cast, it also intro­duces a whole cast of female char­ac­ters of vary­ing body types, none of which are scru­ti­nised as a means to become an actu­al part of the sto­ry. Big Boo (Lea DeLar­ia), Black Cindy (Adri­enne C Moore) and Tasty (Danielle Brookes) don’t fit the size-zero trend and yet, they make for some of the most intrigu­ing, well-round­ed and com­plex char­ac­ters on the show with­out ever hav­ing to excuse their voluptuousness.

The same is true for Crazy Ex-Girlfriend’s lead char­ac­ter Rebec­ca Bunch (Rachel Bloom) and her best friend Paula (Don­na-Lynne Chap­lin). Sure they may voice the patri­ar­chal bull­shit” and its abil­i­ty to objec­ti­fy women through fun­ny songs, but oth­er than that, their looks and curves nev­er form part of the show’s dia­logue. And why should they? These are women are com­fort­able in their own skin and have too much oth­er shit going on to wor­ry about putting on a few extra pounds, so why turn them into some­thing they’re not in order to sat­is­fy an audi­ence that is pre­sumed to take offence at the notion of nat­ur­al femininity?

Fuck em if they need the fat joke. We may be head­ed in the right direc­tion with shows like Orange is the New Black and Girls, but there’s still a long way to go until per­fect­ly imper­fect female char­ac­ters on TV will become a norm. As Chi­ma­man­da Ngozi Adichie observes in her essay We Should All be Fem­i­nists’: Cul­ture does not make peo­ple. Peo­ple make cul­ture. If it is true that the full human­i­ty of women is not our cul­ture, then we can and must make it our cul­ture.” Per­haps film and TV cul­ture is a good place to start in set­ting an example.

You might like